T 6043

We crawled away from the wreckage and lay down in the grass. We were alive and nothing else mattered. Finish what you were doing, I told her.

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T 6042

He ordered a scotch. He opened his book. The bartender gave him his drink and studied him closely. You’re an ugly fellow, the bartender said.

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T 6041

They kissed for the first time, finally, and she looked into his eyes and said, Your cologne smells so weird, and he said, And so it starts.

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T 6040

I was on a crowded elevator. The fish I’d had at lunch did somersaults in my belly. My boss stood next to me. I might resign now, I told her.

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T 6039

We argued about the difference between a boat and a ship, and whatever we’d seen in the distance disappeared, and we remained unsaved again.

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T 6038

The bed looked smaller, and I said, This is unnatural, and she said, So? and suddenly I was hanging from the ceiling and singing show tunes.

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T 6037

She tends to vegetables, humming something happy. He falls out of the hammock and she says, Are you ok? and she doesn’t wait for the answer.

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The Endless Road to Publishing

I’m pleased to announce that my novel, Waiting for the Man, will be published by ECW in spring 2014.

How did we get here?

Well. It’s quite possible that there are sentences in this novel that are older than my son. Very few of them but I wouldn’t doubt it. My son is 12 years old. I started writing this book a long time ago, at least a decade ago and then after three drafts over a couple of years, I ditched it because it wasn’t working. And then a year later I reread it and took out half of it, a complete story line and a major character. There were two major characters. I took out one. And then I started work on it again. But I work full time too. At the time, I was editing a magazine. A big magazine. And then I wasn’t editing one magazine, I was looking after a stable of them. So I’d go through a draft a year about. And then I think I was happy with it. Relatively happy. Let’s face it, a writer is never happy, but I was comfortable enough with it to start showing it around.

Then the Twitter thing started. Meaning I dove into Twitter and kept diving deeper and deeper. What did that do? My insanity there got me some media attention. An agent in New York called. He wanted to do something with my twisters and I said, sure, and we tried to sell the concept and it didn’t work. He didn’t really do fiction so he was never interested in the novel. (He’s a great agent, by the way, a great old school New York agent and he specializes in pop culture and business and non-fiction). The publishers never really got what I was trying to do on Twitter. We had conversations with some big houses but nothing happened and so this agent and I parted ways. Amicably. I have to say that.

Then I went to Twitter and declared myself agent-free and found another agent. And she tried with the twisters (same reaction) but more importantly read the novel and liked it. She made some suggestions and I thought they were quite sharp and I wrote another draft (I think I was up to 9 by now) then she started sending it out to the big houses. They didn’t bite. I made some more changes. She said ok. Then I stopped hearing from her. Finally she responded to an email and called me “passive aggressive” and I left her alone. And then I really didn’t hear from her and about five months later she told me she’d struck out on her own and formed her own agency and I wasn’t one of her clients anymore. She said she’d informed me. It was the first I’d heard of it. She called me passive aggressive again. I’m a lot of things. But I’m definitely not passive aggressive. Only when I play hockey.

So I lost about five months there. Perhaps more. But I will say this: her editorial comments were very good. I did a little tinkering with the novel. A woman interviewed me for an online newsletter and she also introduced me to her agent. We spoke and he took me on and we went after the big houses again. Nothing. I was getting close to going the self-publishing route. I’m not a young kid. Not anymore. I appreciate that publishing is slow. But the industry had changed (a lot) in the lifetime of the novel. It had changed completely. There were options now. Then my agent started sending it out to publishers he had worked with before. Some of them smaller. One of them is ECW, based in Toronto. Given what’s been going on with the big houses, especially in the U.S, I’m actually grateful to have been taken on by an independent publisher in Canada, especially one that seems to be doing well on the digital front also.

And so, here we are. The book comes out in spring 2014. There’s another draft to write, for sure. Stuff to plan. But let’s face it. That’s a long ways away. At least the contract is signed. Time to get serious about the next book.

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This is my signature on my new book contract (signed this morning)

Yes. It is done. I signed on the proverbial dotted line. For the novel. More news to come. If I said I wasn’t relieved I’d be lying.

See this space for more information soon. What kind of information? Like the publisher. And the pub date. Stuff like that. The deets as we say. Who’s we? Authors who have just signed the contract for their first novels. (Squishy was a collection of short stories).

(Also note the Instagramness of the photo. I’m SO social media!)

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T 6036

He believed in destiny. He grew up certain of this. But when the woman of his dreams walked by, he was too busy composing the perfect tweet.

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