Here Be Monsters

Sea-Monster-39.07As a writer, I’m very protective of first drafts. Or have been. For some writers, first drafts are throw-aways, warm-ups, and nothing more. I’ve read of some writers that literally throw away their first drafts and start over because now the story is inside them or something. These people are monsters.

giphy monster

The first draft is usually the easiest part of writing. You just get something down on paper and then the real work begins, the editing and rewriting, the sweat, the deep thought. The meat of what you’re trying to say. Frankly, the entire writing process is evil and the only reason any one does it is because they have to. They literally have to. These people, too, are monsters.

monster

This time around I’ve really thought about my current project. Quite a bit. I’ve mapped it out. Quite a bit. There are graphs, even, though looking at them now I don’t quite now what they mean. Here’s one. Please contact me if you know what I was going after when I drew it:

charts

So given all this thinking about the story before I even started the first draft, I’ve felt comfortable enough to post snippets of it online. But here – and at this point, perhaps only a therapist would want to take a crack at my motivitations – I’ve posted them to ello. Yes. Almost guaranteeing that no one will see what I’m up to. (For those of you who have seen it on ello, I’m not calling you a nobody, but I am commenting on the website itself, and if you’re on it – as I am – then you’re just collateral damage). The thing is, this first draft, while nowhere near complete (because I am many things but I am not delusional….probably), is much further along than any other first draft I’ve ever written of anything. Yes, it is possible that NONE of the passages posted so far will make it into the final manuscript, and it is entirely probably that NONE of the passages will make it into the final manuscript as posted, but as I mosey along with this first draft, I’m getting more and more comfortable with where this thing is going. (You can also see a tally of how many pages I’m completing per sitting on my facebook author page – I know, really, someone needs to lock me away).

So, if for whatever reason you’re curious as to what I’m up to, this is for you. It’s just snippets, sure. But the snippets are there. In obscurity. Going up randomly. Because I’m a monster, too.

monsters inc

Posted in Blog | Tagged , , , , | Leave a comment

The New Thing

10578675_10152843449240186_913506492_oI’m reading this Sunday at a bar on Crescent Street. Not by myself, because that would be unbelievably awful, but with a bunch of other writers. I’m going to read a chapter from Jones. That’s what the new project is called. It’s still in first draft mode. Half way through the first draft. Meaning the stuff I read may be awful – and it may not even make it into the final version, at least definitely not in the state it’s in right now. But fuck it, this is what I’m going to read. I’ve been reading from Waiting for the Man for 9 months now. Time for a change. If you’re in Montreal, hope to see you there!

I bet it’ll be cold. Because Montreal.

montreal_snow_street

Posted in Blog | Tagged , , , , | Leave a comment

Scenes From the Making of a Novel

IMG_9380What does it look like to write a book? It’s a stupid question. I wrote Waiting for the Man over a long period, in many different circumstances. Some drafts were written by hand. Some were done entirely on computer. I do most of my editing by hand as well, so I’d print out the latest version and mark it up and then input the mark-up into my laptop, making further changes along the way, making each version not just new but kind of new-and-a-half. A lot of that work was done at the dining room table.
IMG_9374IMG_9375IMG_9376IMG_9377IMG_9378IMG_9379

 

 

 

The new one, which I’m working on now, is being done in my home office. My wife used to “own” the room but she’s a ceramist with a studio a few blocks away and so now the office is mine. I get to put notes and outlines up on my wall and stare out the window (right now I’m staring at a lot of snow) while I think of le mot juste. The home office allows you to shut out the world, even when it presses in, demands attention, as it does on terrible mornings (the murderous attack on the French satirical magazine Charlie Hebdo is everywhere right now), and on lovely days as well, when the sun shines in and tries to blind me into doing something ridiculous, like taking a walk outside.

What does it look like to write a book? I don’t know. But this is what it looks like to write my book. This one. I call it “Jones.”

IMG_9373

Posted in Blog | Tagged , , , | 1 Response

I’m Not Making A Single Resolution

2015I don’t believe in resolutions. I’d like to say I don’t believe in New Year’s at all, since the calendar is a human construct, but that’s not really true (the earth does revolve around the sun after all and we’re just measuring that passage) and I’m not remotely that cool. As humans we need milestones, we need reminders about the passage of time, and because we are complex, we need to celebrate them, and because we are social, we need to celebrate them together. So here we are. On the cusp of another calendar year. Thinking about things. We always do.

Personally, I think each of us should make resolutions around our birthdays. Our birthdays are not arbitrary at all, they are facts on a calendar, facts written on our bodies, hardwired into our brains, facts to be celebrated, we’ve stayed alive another year, made new friends, accomplished new things, discovered a new bourbon, tasted a new and deeper umami. (Or, here’s someone saying make resolutions monthly, which is, like, literally a 12-step program.)

Of course, December in general, but the holiday season in particular, is as much about looking back as looking forward. I don’t like that either. I’m not into nostalgia. I used to accuse my son, when he was much younger, of “instant nostalgia” – that is, he seemed to be in a constant state of nostalgia and could wax poetic about something that had just happened. Literally a second ago. I don’t like looking back. The view behind is full of building blocks, granted, the past is what makes us, the present makes no sense without the past, but history is all about context while nostalgia is context free on purpose and is presented as something outside of time.

Here’s the thing: nothing exists outside of time. Not even Elvis.

I don’t make resolutions. But if you do, and if you stick to them, and if those resolutions point you in the direction you want to go, and if that direction makes you a better you and in so doing makes the world a better place, well, I’m with you. I most certainly am. I promise this. Just don’t use the word “abs.” I don’t want to hear how great your abs are, or your workout, or, I don’t know, do people still say “burn” as if it’s a good thing? Because you shouldn’t say that around me. Don’t tell me about your workout. Either you are still high on endorphins or you’re a member of a cult but either way you’re being unreasonable. Otherwise, I got your back. I promise.

elvis

Posted in Blog | Tagged , , , , , , | Leave a comment

The Day North Korea Outdid Itself

ced5a2aced2e254030084a5d7dd07c34Dennis Rodman went to North Korea and became friends with Kim Jong Un, a despotic – and short – heir to the world’s longest running…something. North Korea is something but it’s hard to describe. It is an odd world indeed when “Denis Rodman” is not the strangest word in a sentence but that’s the power of North Korea’s epic weirdness. Of course, calling them weird doesn’t make them any less dangerous. The Kim family has the power of a state behind them. And, sure, it’s the kind of state where starving people have to eat grass but it’s still a state. (Guy Delisle’s fabulous Pyongyang is one of the better introductions to North Korea’s epic weirdness – and a movie based on it, starring Steve Carell! – has been shelved because of what I’m about to describe.)

Dennis Rodman was sent to North Korea by Vice.

This is all seemingly unconnected to what has recently happened. Maybe I see a connection because Vice was started by a bunch of smart but quite stoned Canadians (with Canadian government funding, which seems to be a whole other rabbit hole). The Stoned Canadian seems to be fuelling a lot of the weirdness to follow.

Like right here: Seth Rogen, a certified Canadian, got really stoned with a friend (who also happens to be a Canadian….). They obviously had a discussion about Kim Jong Un. I bet they were having this discussion because in their stoned state, a state where free-association is funnier than an actual state like, say, Minnesota, they imagined, for a second…that Dennis Rodman had been sent by the CIA to North Korea to fuck things up.

Seth Rogen

Lots of giggling. Lots of it. Like losing your ability to breath giggling. Endorphin-releasing amounts of it.

And this thought became scribbled notes or audio recordings or however it is that Seth Rogen takes notes and remembers things.

James Franco called, said “sup?” and Seth Rogen reached for his notes and James Franco came over and then they got really really stoned and laughed their way to the kitchen and James Franco watched Seth Rogen eat an entire tub of vanilla ice cream and felt a contact munchie contentment because James Franco gets empathy (what is his performance in 127 Hours but 100% empathy?)

And somehow Seth Rogen sold an idea to Sony.

An aside: Sony lost its way when it lost the Betamax/VHS war. Playstation, ok, that’s good. But this is a company that invented portable music delivery – I am of that age where a Walkman was the height of awesome – and then….what? Their TVs? Like what is Sony good at now? Speakers? No. Computers? Sony tried that, they really did, but none of that has worked for them because they are still bleeding from losing that Betamax battle. They probably still have employees who remember that battle and who still live with the resentment and/or disappointment of being on the losing side of that. So what else does Sony do? They own a movie studio. They were probably thinking “convergence!” when they bought it, but I can’t imagine the old Japanese men at Sony HQ really understand WTF they’re doing with a big Hollywood movie studio. Some accountant in Tokyo is approving big cheques to the likes of the eternally schlubby Seth Rogen. That image is funny.

you-must-be-this-tall-to-start-a-nuclear-war

Kim Jong Un has a Napoleon complex. He can’t help himself. He’s short. Apparently, he wears lifts (he also takes lifts – hilariously). He kills members of his family. This guy is serious about proving he’s not short. And when he got wind of this movie, maybe from his friend Dennis Rodman, but that makes a lot of assumptions about Dennis Rodman who was just a great rebounder with a lot of tats – I mean he’s no Michael Jordan of anything except maybe he’s the Michael Jordan of being Dennis Rodman, Kim Jong Un did not see the humor in a film that climaxes with his own extravagant death.

So he called his friends, or associates, the Hackers. And they hacked Sony. They massively hacked Sony because of course in this story Sony has inadequate tech security and, yes, blame Betamax. Just do it. (More: here is an interesting history of North Korea and how it is the “last holdover of Japanese fascism” which would mean, my god, history has come full circle!) And now what was surely a minor movie is a cause celebre of free expression/censorship, Sony looks bad, we hear that “the terrorists have won” and I keep expecting someone to pull either a New Coke and yell “Haha, tasteless marketing stunt!” or Suzanne Pleshette or, hey, Bobby Ewing – why not? – saying “It was all a dream!” and then we can go back to wondering how a giggle inducing, drug-fuelled idea about James Franco and Seth Rogan going to a weird and backward country to kill a weird and stature-challenged basketball loving supreme leader ever made it past the guardians of whatever kind of guardians exist in the rarified air of Hollywood and imagine the talk around the dinner table in Tokyo when Sony’s CEO has to answer the question: “How was your day, dear?”

japan-japanese-family-at-dinner-antique-print-1892-200202-p

Posted in Blog | Tagged , , , , , , , , , , , , , , , , , | Leave a comment

I Haven’t Written Anything Here for a Long Time

captobvious-738633-747223There. I just changed that.

More to come.

Posted in Blog | Leave a comment

The Unthinking: der Giller Part Two

Pluto

The thing about getting nominated for a major award but not really getting nominated is the potential of it. The glimpse it affords to the other side. Being longlisted for anything is like the Pluto of nominations. One day you’re a planet and the next day you’re not. You’re not even considered a planet anymore. And worse, you never were. The whole thing had been, quite possibly, a misunderstanding. An invitation sent to the wrong address.

poor-pluto

Getting nominated, for anything, is an honour, sure, and an achievement, there is no doubt about this. But it’s also a crapshoot. A look at any list any year shows what a crapshoot the entire affair of awards are. All awards. The most predictable thing about a nomination list is the immense harping that follows about the nomination list. Like night follows day. Which happens. Even on Pluto (where a “day” lasts 6.4 earth days or 153.3 hours FYI). But the thing about getting nominated is this: you start to think about things you didn’t think you had a right to think about before.

And then you have to unthink that stuff. You have to unthink all of it and move on. Because that’s what you need to do. Until the next time.

Cookies-456x342

Posted in Blog | Tagged , , , , , | 1 Response

Fidgeting My Through The Ottawa Writers Festival

From last spring. I shared the stage with Miriam Toews and Jonathan Bennett. Despite my ticks, I had a lovely time.

Arjun Basu, Jonathan Bennett and Miriam Toews – Where You Stumble – April 28 2014 from OTTAWA INTL WRITERS FESTIVAL on Vimeo.

This was my reading. Watch me annihilate my forehead:

Arjun Basu reading from “Waiting for the Man” – April 28 2014 from OTTAWA INTL WRITERS FESTIVAL on Vimeo.

Posted in Blog | Tagged , , , | Leave a comment

der Giller

You don’t write to be loved. Or remembered. Or compensated. I mean, all of those things are nice, but that’s not why you write. It is not a career one recommends too often if your goal is wealth. Or simplicity.

No. But if you do happen to achieve something when you write, even when you don’t expect it, especially when you don’t expect it, at that moment you start to wonder whether your views about the nature of the universe are in line with the reality you are currently living.

I know these things are crap shoots. They always are. I’ve been on juries and you can see how quickly something of value can vanish from a list. At the end of the day, this stuff doesn’t mean anything. Except that it does.

Screen Shot 2014-09-20 at 4.07.43 PM

Posted in Blog | Tagged , | Leave a comment

So You Want To Be Cool?

home-aloneThe Giller Prize longlist was announced today. I’m on it.

It was announced in Montreal. My son goes to school across the street from where it was announced.

I am in a hotel room in Anaheim, California. My phone started buzzing. I was on the list for Canada’s richest literary prize.

My reaction? I did a jig in my hotel room. In my underwear (I’d just gotten out of the shower).

You always say you don’t care about awards. And you like to think you don’t. Until they happen to you.

Posted in Blog | Tagged , | Leave a comment