T 5429

His father went on and on about the Beatles and he wouldn’t stop and then one day he did and his kid started singing Happiness is a Warm Gun.

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T 5428

Hungry optimism followed by the frustration of hopelessness. The kids were stunningly impossible. These hot dogs had better be good, I said.

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Except Not Sold at Hallmark

Two years ago, or even three, when I first started out on Twitter, my first agent saw a book of Tweets. I wasn’t sure but he was – and he was a real old school agent, specializing in business, tech and pop culture. His client list was phenomenal – and he was a good friend’s agent and came highly recommended. Except the publishing community wasn’t into it – they still didn’t know what to make of Twitter (and, frankly, the publishing community is still trying to figure a lot of things out, least of all social media). I didn’t blame them then for not jumping at the book – every Twitter book I’ve seen hasn’t really worked. Twitter is a digital medium using words but that doesn’t mean it migrates to print. There’s only so much you can do with 140 characters on a page. I always thought you need illustrations, at least, if you were doing a book. A book of Tweets needed to exploit print – it needed to be printier than a normal print product. It needed a kind of feeling. And if it were a book, the illustrations needed to either be incredibly elaborate, or simple – like New Yorker cartoons. Or…like old Peanuts.

The great site brainpickings.org is always good to jog the brain cells (honestly, it’s one of the best sites on the whole internet). Remember these books? The philosophy in Peanuts rendered simple? These books are like perfect pop culture hallucinations, the 60s perfectly rendered. This is kind of what I see the Twister project like – regardless of medium. Oddly retro to counterbalance the nowness of the thing. A revert to print kind of book should look like it’s reverted way back. Because if you go from the web to print (and there’s been so much of this already), your book, the very action, is like entering a way back machine. And that’s kind of cool.

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This British Comedian Must Not Know I’m Canadian

It goes without saying. Otherwise, he wouldn’t put me on this veddy veddy English list. I’m sure I’m the only one here without a funny accent. There there chaps, but I’m from the colonies, innit?

(I’m also Canadian enough to admit I don’t know who Dave Gorman is and I apologize for that. I really really do. Sorry. But he’s a comedian of some sort – that much I gather – and he seems rather successful at that and I genuinely find the British funny so he even though he uses some quite British words, I’m sure he’s a funny guy.)

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Premature Sense of Redemption

My agent passed along a rejection note this morning, his only comment being “argh.” I read the email. By page 50 the editor admitted the novel was getting hard to read. That’s fine. You don’t have to like it. So why was it getting hard to read? Because it was getting “darker” and because he wanted a “sense of redemption to lead me along.” By page 50. Of a manuscript that almost runs 300 pages. Isn’t that kind of premature? Is that we’ve come to? The good times have to show up that early? (This besides the fact that he read the first 50 pages, asked my agent for the rest of the manuscript and then a month later told my agent he hadn’t liked the first 50 pages because of his need for premature redemption…..)

I can’t even think of kids books where the sense of redemption comes that early. I mean, in Green Eggs and Ham it comes on the second to last page. My friend Mike Spry suggested after 25-50 pages and redemption my manuscript should be “mostly wizards, vampires, or written by Margaret Atwood.” Throw in a talking tree and a height challenged almost-human and he’s probably right. And yes, it was from a Big 6 publishing house. So perhaps I shouldn’t have expected anything better. Or more. I did learn something though. From now on, if I don’t feel a sense of redemption before I leave the house every morning, I’m not going out. Because the rest of the day is not going to be worth it.

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Kissing Sisters

I would rather not win than be a finalist and not win. Those shots of actors as they lose their Oscars are priceless because sometimes they don’t act. You can see the disappointment on their faces. Only the winners act like themselves. When you win something, it’s like having an orgasm – you are yourself most intently. If you act your way through that moment when your name is announced, well, you can’t be trusted. But you can act your way through losing. Any actor should be able to do that. The human ones, however, don’t.

Anyway, I was up for a Sidney Prize with Storyville (which, by the way, is a great, great app for those people who like short stories – a new one every week from an already published collection; kind of like K-Tel for literates), a finalist, and I didn’t win. I congratulate the winner, Kathryn Kuitenbrouwer (a fellow Canadian!) and the other finalists. No really.

The judge was Richard Nash, who has done some fine fine things in the book world. After the announcement, I tweeted a “Close but no cigar” kind of thing. To which, Richard replied. To which, I replied. To which he replied back.

Winning is great. Coming in last builds character. Getting close to winning but not winning? Well, there are worse things, for sure. But not many. Someone smart once said “you win a bronze medal but lose a silver.” Something like that. Or “you win gold and you win bronze but you lose silver.” I think. But really, in a 100 metre dash, you win gold and everyone else isn’t Usain Bolt. Right? Oh well. Maybe the person who said it wasn’t so smart. Onwards and upwards. Thank to the kind folk at Storyville and to Richard Nash. I hope to publish the story soon.

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This is What Busy Looks Like

Nothing. It looks like nothing because you don’t get anything done. It’s an empty box, sunshine without light, warmth without heat. Plans get demolished, not by anything sinister, but by life, by the forward progress of time, by the inevitable bullshit of living, the accretion of layers of stuff, things we have to climb over or swim through or dig under. Life goes on, sure, and stuff gets done, but other stuff – important stuff – doesn’t. When you’re a writer, albeit one that doesn’t live off their writing, time is that much more precious, and ambition that much higher a mountain to climb. Is my life moving forward? Yes. We even have a dog now, a lovely bagel (a basset-beagle mix) – how Montreal kind of a breed is that! – and my job progresses and my kid has a science fair tomorrow (we have vegetable powered clocks chez nous) and everything is moving forward, as it must, and then that’s the problem, everything moves forward, time, like tides, it doesn’t stop but not everything it does is for the better. Yes, the benefits of erosion depend on your point of view – and your sense of time.

Interesting fact: last year, I made more from my Twisters than I did from my book. Granted, I have only written one book and it was a book of short stories at that, and it was published in 2008 and that’s an eternity ago, but I still made more (quite a bit more) from my Twisters (I sold about 20 to two different high school anthologies published by the same company) than I did from Squishy. I don’t know what that says. I just thought it was interesting.

Another interesting fact: I am obsessed with the inane commentary of Jonathan Franzen. He is inane! The poor man does not understand anything about modern life. (there is even a tumblr devoted to his inanities!) Except, perhaps, what families talk about around kitchen tables. But the joke’s on him! There are NO MORE family discussions around kitchen tables. Bigger joke. There are hardly any more families! Families are like the New Urbanism now – they look nice in theory but no one lives there. Anyhow, I post most of the JF related stuff over on Facebook. I have a fan page. Because it’s the thing to do.

It is spring. My novel still seeks a publisher (hey publishers – get on it already!). I am still on Twitter (I can’t imagine a new media form I enjoy as much or that have been as enriching). I am trying to sit and write complete thoughts. Or even stories that have begun and then have ended prematurely. I have ideas. But what I need – what we all need – is a time machine. Not a Nicholson Baker type thing that freezes time (and only to fondle women at that) but one that changes the concept of it so that I can find the right kind of energy.

I don’t have time though. Can someone get on it?

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T 5427

They finished eating. She took his hand. What is love? she asked. And then he farted and wasn’t ashamed and said, I’m pretty sure that’s it.

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T 5426

She made tacos and I complained. She called me ungrateful and I told her the tacos were yummy but that was a lie and a door had been opened.

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T 5425

They hear an ice cream truck. I can kiss in Esperanto, she tells him. The birds sing their happy songs. He figures he can learn her language.

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